When Lithuania and the other Baltic states joined the EU in 2004, I was lucky enough to be invited over to the Vilnius Festival to write some articles about the place, its musical scene and its artistic history - and to do some roots-finding at the same time, as my ancestors were from there in the 18th century. Concerts were held in the beautiful Filharmonja, where Heifetz - who was born in Vilnius - made his debut as a child; and in there I heard an astonishing performance of the Tchaikovsky 'Pathétique' Symphony, conducted by Mstislav Rostropovich. It was an absolute glory: gut-wrenching stuff, with old-school Russian-style strings and distinctive vinegary trumpets, sizzling narrative, epic-scale tragedy: music as a matter of life and death.
Vilnius has a proud and distinguished musical life; it's had its problems over the decades, of course, but the influences run deep and come from powerful origins. That's Mirga's background. (She must have been about 18 when I went there, of course...)
It seems worth revisiting those thoughts, so here's the briefish blogpost about it; and below I am pasting the article I wrote then for The Strad, 2004. (It may be missing some accents and suchlike, I'm afraid.) Pics are mine, from then.
|The Vilnius Filharmonja|
|Apparently this is Jascha Heifetz's birthplace|
|Interior of the Filharmonja|
|The Gates of Dawn|
|The Heifetz Hall is in the Jewish Community Museum|
|On Gediminas, looking towards the cathedral|