Showing posts with label Ludwig van Beethoven. Show all posts
Showing posts with label Ludwig van Beethoven. Show all posts

Tuesday, July 30, 2019

IMMORTAL: my new Beethoven novel, coming soon...





Dear friends and supporters,
If you enjoyed the historical musical mystery of Ghost Variations, you'll love - I hope - my new book currently in the works.
For the past few years I've been reading obsessively about Ludwig van Beethoven's 'Immortal Beloved' - the unnamed addressee of an impassioned love letter that he wrote in July 1812. Supposedly nobody knows exactly who she was, though there have been many theories. Yet when you start looking, you find things... 
Was this woman's identity anything but immortal? Was she deliberately wiped from history by a family terrified of scandal? Was her tragedy - and Beethoven's - perhaps even greater than we thought? I believe so.
While obscure biographies and some terrible translations lurk on dusty shelves, I wanted to present this book as a novel for its roller-coaster emotions, its vivid characters, its you-couldn't-make-it-up plot - and the mulifarious possibilities offered by an unreliable narrator.
The music is ever-present, the piano sonatas most of all: for that is how the majority of Beethoven's admirers would have known him best, through playing his works at the piano, orchestral performances being relatively rare events. The piano sonatas contain, too, some crucial clues - though you'll have to read the book to find out what they are.
I have returned to Unbound for several reasons: first, a publisher in the hand is worth ten in the Writers and Artists Yearbook, especially when there's a topical anniversary to catch, just 23 months away. Secondly, they have done a brilliant job on 'Ghost Variations' and 'Odette' and I trust them completely. And finally - it's fun! I've cooked up a range of rewards at different levels to tempt you in, starting at just £10 for the e-book and a thank-you in the patrons list. But above that you can order an early-bird discount paperback, or two, or five; come with us to hear Vladimir Jurowski conduct the Symphony No.1 at the Royal Festival Hall; attend the launch party (we love launch parties!); sponsor a character and receive a special thank-you on a separate page; or simply make a donation of any amount you like to help turn this project into reality. More rewards are on the way, too, so watch for updates.
On the IMMORTAL page you will find a synopsis, an extract from the book, the complete pledge list, and a video in which I introduce the project and, er, attempt to play Op.111. 
I do hope you will wish to become part of the IMMORTAL family. Your moral support will be crucial as I plough on with the writing. And knowing that you're waiting eagerly for the results is the best spur of them all.
Thank you so much - and here's the link. https://unbound.com/books/immortal/
Love and best wishes,
Jessica

Sunday, May 13, 2018

Observing Pauline Viardot

Last week I had a call from The Observer to ask me to stand in for their absent critics Fiona Maddocks and Stephen Pritchard, which was both a surprise and an honour.

It looked like a quiet patch at first - just too early for the premiere of Lessons in Love and Violence - but closer examination revealed two concerts that couldn't have been more 'up my street' if they'd tried. One was the shooting-star French soprano Sabine Devieilhe at the Wigmore lunchtime concert in a programme based around the salons of Pauline Viardot, who happens to be a long-standing obsession of mine. The other was billed as a TED Talk with music: Cambridge history professor Sir Christopher Clark joined Brett Dean and the City of London Sinfonia for an evening of Beethovenian exploration at the shiny new QEH. Due to circumstances beyond my control, it was my first trip there since the hall reopened - and gosh, it's good! (And it really does smell like a shoe shop.)


And here's one of my favourite Pauline Viardot songs, Die Sterne, sung in French by Isabel Pfefferkorn with cellist Romana Kaiser and pianist Anna Reichert. I think Viardot's songs are the equal of any in her salon, and a good bit better than some. Devieilhe sang the best-known number, Hai Luli, and one of the Chopin mazurka adaptations, Aime-moi - the latter is a bit of a masterclass in why it's best to write words first and music afterwards - but there's a wealth of fantastic music sitting there, waiting to be explored.