I spent last week in Vienna, on the Beethoven trail for my new book, IMMORTAL; what follows is my Letter from Vienna for the Unbound 'shed', which is emailed to all the book's supporters. It's both substantial and quite interesting (I think), so I wanted to bring it to you here too. Delighted to say that the funding is all in place, but if you would like to be part of the IMMORTAL family, be thanked in print, pre-order your copy and receive regular updates on progress, you still can, here.
Tuesday, November 05, 2019
Tuesday, July 30, 2019
Sunday, May 13, 2018
Last week I had a call from The Observer to ask me to stand in for their absent critics Fiona Maddocks and Stephen Pritchard, which was both a surprise and an honour.
It looked like a quiet patch at first - just too early for the premiere of Lessons in Love and Violence - but closer examination revealed two concerts that couldn't have been more 'up my street' if they'd tried. One was the shooting-star French soprano Sabine Devieilhe at the Wigmore lunchtime concert in a programme based around the salons of Pauline Viardot, who happens to be a long-standing obsession of mine. The other was billed as a TED Talk with music: Cambridge history professor Sir Christopher Clark joined Brett Dean and the City of London Sinfonia for an evening of Beethovenian exploration at the shiny new QEH. Due to circumstances beyond my control, it was my first trip there since the hall reopened - and gosh, it's good! (And it really does smell like a shoe shop.)
And here's one of my favourite Pauline Viardot songs, Die Sterne, sung in French by Isabel Pfefferkorn with cellist Romana Kaiser and pianist Anna Reichert. I think Viardot's songs are the equal of any in her salon, and a good bit better than some. Devieilhe sang the best-known number, Hai Luli, and one of the Chopin mazurka adaptations, Aime-moi - the latter is a bit of a masterclass in why it's best to write words first and music afterwards - but there's a wealth of fantastic music sitting there, waiting to be explored.