AND HERE IS SOMEONE WHOSE BIG BIRTHDAY IT REALLY IS....

HAPPY BIG BIRTHDAY, TASMIN LITTLE!

Tasmin Little: the birthday girl! Photo by Paul Mitchell

A violinist whose musicianship can make you feel glad to be alive. I can think of few whose performances have over 30 years consistently sent me home feeling that things are OK after all: faith renewed, spirit rejuvenated and joy enhanced.

I'll never forget the day we went busking, either. My editor at the Independent asked us to have a go at the Josh Bell trick; Tasmin happened to be in town and was game for it; and we set up under the railway bridge at Waterloo. Every child who walked by wanted to stop and listen to her. We watched with jawbones dislocating as their parents dragged them away from the music - in one case, a little girl of about 4, literally kicking and screaming. The day, according to Tasmin, changed her life: she invented her Naked Violin project and began touring schools, shopping centres, prisons, oil rigs and community centres as well as slightly more conventional venues. Since then her always sterling musicianship has reached even higher levels of compassion, poetry and imaginative range.

Here she is in a favourite filmed moment from a few years back.

It was Fauré's 170th birthday yesterday

Cor, an anniversary - an excuse to play some of Fauré's finest. And it was YESTERDAY, ahem...we have been a bit preoccupied with stuff that happened last week. Love you, Monsieur Gabriel. (you know about my book already, but in case you didn't...)

Here are three amazing historical performances for us to enjoy on this glorious spring morning. In London the sun is blazing down, the leaves are bright and fresh, the cats are chasing each other and everything that moves, and we are trying not to let certain other things get us down.

Ballade Op.19 - Gaby Casadesus (piano), with the Orchestre Lamoureux conducted by Manuel Rosenthal. Recorded in Paris 1948.



Piano Quartet No.2 in G minor, Op.45 - Marguerite Long (piano), Jacques Thibaud (violin), Maurice Vieux (viola), Pierre Fournier (cello). Recorded in Paris in 1940 just as the Germans were invading. Apparently they could hear the bombs falling...



Nocturne No.6 in D flat major, Op. 63 - Germaine Thyssens-Valentin, recorded 1956. (Another of a large number of truly great women pianists from the earlier part of the 20th century who have been cruelly sidelined in history...)



Anyway, hope you love all these as much as I do. Bon anniversaire, mon cher Archange.

Berlin decides...or doesn't

I've had a ponder over at Amati about where it all went wrong...
http://magazine.amati.com/149-comment/comment-berlin-decides-doesnt.html

Reasons to be cheerful post-election, #1

OK, it is admittedly pure coincidence, but we now have this to look forward to. Due out in the autumn.

Red meat for Raphael

Raphael Wallfisch. Photo: Benjamin Ealovega

My new Editor's Lunch interview with Raphael Wallfisch is out at The Amati Magazine now. We went Italian - with a difference...no less than Theo Randall at the Intercontinental. And we talked red meat both culinary and musical. The piece also includes Raphael's brand-new short documentary about Gerald Finzi, which we hope you will enjoy and share. It's high time Finzi went viral!
http://magazine.amati.com/153-interviews/editors-lunch-raphael-wallfisch.html