Anyone hooked on the Hatto scandal will find interesting reading & discussions at Piano Street, where the latest post from Alistair Hinton (curator & director of the Sorabji Archive) says this:
"I think that we'll really just have to wait and see - and wait and see we will surely be able to do, for this, as I have suggested, is unlikely to go away again now and, given the sheer number of other parties with potential involvement (other artists, other record companies, etc.), it is likely also to run and run when it finally does get to court. Robert von Bahr of BIS in Sweden has so far commented, albeit rather wryly and in a carefully owrded manner that could be taken to imply that he'll not likely be reticent with the ammunition if and when he may believe it becomes necessary to use it. The sheer scale of this fraud - IF it is such (and I do stress the "if") is such as to ensure that the case may well drag on into next year even on its own merits alone, but if it becomes the tip of the iceberg in the industry as a whole (which is not entirely inconceivable), then we could be looking at decades of litigation rather than merely months or years in a massive multiplicity of cases."
There's also a Google group with some good threads.
Thanks to Stephen Pollard, Opera Chic and Lisa for shoutouts.
