Showing posts with label Bayreuth Festival. Show all posts
Showing posts with label Bayreuth Festival. Show all posts

Monday, August 15, 2016

Wagner summer twilights

Meistersinger in Munich: Jonas Kaufmann as Walther. Photo: Wilfried Hösl

I've been away for a couple of weeks in Germany and Switzerland, starting the trip with two Wagner performances which might resurface somewhere in this year's Chocolate Silver Awards for Best Opera and Weirdest Moment respectively (admittedly there's plenty of the year left for others to exceed, but they'll have to try hard...).

I reviewed both events for the Critics' Circle website: Die Meistersinger von Nürnberg on the final night of the Munich Opera Festival, starring Wolfgang Koch as Sachs and Jonas Kaufmann as Walther, conducted by Kirill Petrenko - a dark-hued, clever, detailed, fascinating, roller-coaster production by David Bösch, set in 1968; and Parsifal at Bayreuth, the new and fervently anti-religion production by Uwe Eric Laufenberg, with Klaus Florian Vogt in the title role. The editors have entitled this one, with perspicacity, 'Twilight of the gods'.

'Weirdest moment' goes to the latter evening. Eating out with friends afterwards, we found ourselves in the same restaurant as Angela Merkel, who had been at the opera too, and she was perfectly friendly when some members of our group bounced up to her to explain how desperately sorry and embarrassed we are about Brexit.

Friday, August 15, 2014

A Bayreuth virgin: the afterglow...

The second part of my Bayreuth blog is out now at Sinfinimusic.com. In it, I explain I'm furious that so many negative preconceptions conspired to put me off going to this place for my first several decades - when if I'd ignored the lot of them I could have been enjoying the most incredible musical experiences known to mankind aeons ago. Read the whole thing here. 

Below, a few more snaps...

Wagner, feeling blue:



Richard and Cosima's grave:



Grave of Marke, the Newfoundland dog, close by:



The current state of Wagner's home, the Villa Wahnfried (apparently they are building what promises to be a very impressive basement museum):





And the curtain call...


Thursday, August 14, 2014

Guess where I've been?

Where Big Ritchie is everywhere...



...and the silliest productions get the most extraordinary musical performances...


...and the most distinguished father-in-law in history is relegated firmly to second place, although his native land takes trouble to decorate his grave as appropriate...


Yes, it was my first trip to Bayreuth. I've written for Sinfini on how I felt about going there beforehand and am checking back in again for a report on the reality of it. Here is part one of BAYREUTH VIRGIN: my personal prelude to Tannhäuser. Part two will be out soon...

Friday, May 24, 2013

Wagner Friday Historical, sort of



It's not easy to choose a Friday Historical for Wagner Woche, and this extract dates from 1976, which in the grand scheme of things is not terribly historical. Nevertheless, there's a distinct sensation of "they don't make 'em like this any more" about Gwyneth Jones's Brunnhilde and Donald McIntyre's Wotan. This is the final scene of Die Walküre in Patrice Chéreau's tremendously human and humane staging from Bayreuth, conducted by the peerless Pierre Boulez.



In case you missed my love letter to Big Richard on his birthday the other day, here's the link.

Friday, October 19, 2012

Friday Kaufmann

I've been neglecting you, dear readers. I'm on a crazy diet to try to fix the stomach problems I've been having since this time last year - it is officially stress-triggered, by the way (many of you know what happened this time last year). I've been a bit preoccupied trying to find things I'm allowed to eat.

That means treats have to be aural rather than oral...so here is Jonas Kaufmann in Lohengrin. Anja Harteros is Elsa. Production by Richard Jones for Bayreuth. Kent Nagano conducts.