Tuesday, August 20, 2019

Sizzling new works draw full houses at last

SO heartening to attend two Proms within a week that included a) world premieres and b) full houses. Here's my write-up of last night's new works from Jonathan Dove and Dieter Ammann, alongside Beethoven 9, in The Arts Desk. Taster below. And a PS: I seriously did not envy the page-turner her job.

Andreas Haefliger (and his beleaguered page-turner) stay cool in Ammann's new concerto
Time was, not long ago, when the very word “premiere” was enough to ensure a sizeable smattering of red plush holes in the Royal Albert Hall audience. It seemed people did not want to risk attending new works for fear they would sound ghastly. Any artform depends for its lifeblood on strong new creations and an audience for them; so it is excellent that this concert was the second in a matter of days in which the place was packed out for a Prom including brand-new pieces. In a time of welcome diversity of styles and approaches, are music-lovers finally becoming curious, even eager, to hear the best of what today’s composers have to offer? I hope so - because otherwise it would mean everyone was only there for Beethoven’s Ninth Symphony yet again.
This programme included two world premieres. Jonathan Dove's We Are One Fire is a 90th anniversary celebration for the BBC Symphony Chorus, inspired by the message of humanity in Schiller’s Ode to Joy and drawing on the idea that, in the composer’s words, “20th-century archaeology showed us that we are all indeed brothers and sisters”...