Last night the Queen Elizabeth Hall reopened in grand style with a performance by Chineke! which by all accounts raised the new roof high indeed. I couldn't be there because I had to go to something else (of which more shortly), but I'm pleased to offer an insider's view of what it was like to be part of that concert - because my husband was playing in it. He is, as you know, usually in the London Philharmonic. And my gosh, he had a good time. Over to Tom...
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| Chineke! with conductor Anthony Parnther (Tom is at the back on the left) Photo: Mark Allen |
So, my dear, some people were apparently quite surprised to see you playing in Chineke! But you are of an ethnic minority, technically - please explain?
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| Tom aged 24 |
One of the main misconceptions of Chineke! is that only black musicians may play in it; the mission statement clearly says “ The organisation aims to be a catalyst for change, realising existing diversity targets within the industry by increasing the representation of BME musicians in British and European orchestras.” I am sure anyone strongly believing in this, as I do, would be most welcome to participate, as either a performer or indeed as a financial sponsor.
I also feel a link with Africa: in my youth I was blessed with a splendid Afro haircut – my father used to say that I resembled the US activist Angela Davis... Obviously this stems from my Jewish roots. Going back thousands of years the Jews were undoubtedly descended from Africa. Hence my frizzy hair!
Chineke! players come from all over the world and are performers at the top of their game. Tell us about who some of your colleagues were?
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| Tom with leader Tai Murray |
Tai Murray, the orchestra’s leader is a truly marvellous violinist. At the age of 9 she debuted with the Chicago S.O. She has made a stunning recording of the Ysaÿe solo sonatas.
Mariam Adam, the first clarinet, has worked with Yo-Yo Ma, played as a soloist at Carnegie Hall, and is now based in France.
Samson Diamond, originally from Soweto, is now in demand everywhere as a freelance orchestral player.
Mandhira de Saram is the leader of the Ligeti quartet.
I loved the internationality of the orchestra. At least seven of the members are either born or based in Germany and Austria; from time to time I had to pinch myself – are we in London or Berlin?!
What it was like for you all to integrate into one orchestra? How is it different from playing in your usual orchestra?
I felt welcomed and very much at home from the start – musically it felt very similar to the high standard of the LPO.
What was the atmosphere like in the rehearsals and the concert?
At the start of the week I hardly knew anyone, and vice-versa. I must admit to enjoying that. I suppose after 32 years in the LPO, perhaps we know each other too well…
The big difference is that everyone is in Chineke! because they passionately want to be there – as opposed to simply doing “the day job” to which you are so accustomed, however good that may be.
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| Chi-chi Nwanoku |
What did you enjoy most about it?
Feeling that together we had achieved something really special by playing exceptionally well. As a musician, that is always the most important aspect. I think Chi-chi Nwanoku can be extremely proud of what she has created here!
What’s the refurbished QEH like?
You might not guess it from looking at the place from the other side of the river, but it is really wonderful. I played in it a lot 12 years ago when the RFH was being refurbished, and it is transformed. The stage is now much more comfortable and spacious and as it is wider, going clean from side to side of the hall, the acoustic is even better. The wood looks beautiful and shiny and warms up the hall. The foyer is big and welcoming and much more user-friendly. Well done, Southbank Centre – it’s money well spent!
What do you “take away” from this experience?
I love the sheer positiveness of Chineke!. When I really enjoy a concert, I want to shout from the top of the tallest building and tell the world. It’s depressing if you know full well an orchestra has done a wonderful concert, you say “that was great” and some cynic chooses to reply, “Was it?” Last night after the performance all my colleagues in Chineke! were enthusing about the great concert. Their wonderful inspiration is going to make me even more determined to enjoy the rest of my career!
You can hear the concert, which was broadcast live on BBC Radio 3, on the iPlayer, here.
You can hear the concert, which was broadcast live on BBC Radio 3, on the iPlayer, here.
